
Nikon F3, Fujichrome Velvia 100F, Zoom-Nikkor 35-105mm Micro
I particularly like this shot. It’s nothing fancy, just a snapshot of Alex staring into the water at Lake Buchanan in Texas. There is a certain harmony of color between Alex’s blue shirt and the blue water, his hair and skin tones and the sand and lake bed. The water seems to intermingle the two colors. There is a progression of color diagonally across the frame, from tan to blue with a range of shades and blends in between. The film captured the subtleties of the colors well.
This is one shot of which I’m glad I used film rather than digital. Although I know that many will disagree with me, I think that film responds differently to color and light than digital. There is an organic continuity of tone and light with film that even the best digital color engines do not achieve. Film is analog, like Fender tube amps for guitars. The internal contradiction of what I’m saying is that I’m showing you a digital scan of the slide, not the slide itself. The only real comparison would be between two prints, one shot on a digital camera and printed with a computer and one printed from film on an enlarger and expertly processed. Yet, even in the digital rendering of the slide, much of the character of the film is maintained. There is a depth and dimensionality in the color that I find very pleasing. This is not to say that digital cameras cannot achieve something very much like this. Some of them are very good, and produce gorgeous color. Some of what I’m saying is subjective and emerges from the realm of feeling and intuition. There is something that I like about film that is hard to put into words.
One of the most powerful arguments for digital is not quality but cost. Each of these slides cost me $.60 to produce when you calculate the film price and developing. If you lack a means of digitizing the slides, prints will cost scores of dollars each, depending on size. With digital, once your equipment is paid for, the shots are essentially free. If you have a good color printer, you can shoot your picture, upload it to your computer and print it out to an ink jet for mere pennies, and you can do it within minutes of the click of the shutter. The case for digital is powerful.
Digital photography has become an essential tool for me. It is fast, accurate and economical. Often, I don’t have time to wait a week or two for film to be processed. I need an image right now, and the digital does that. And yet, something continues to draw me back to film, something I can’t quite put into words. I didn’t accomplish that here, either, but I’ll keep trying. It’s in this picture.